This series involved closing my eyes and drawing the iconic figure of Mickey Mouse from memory, utilizing a methodology that interrogated the consistency of mental images stored in the psyche. By exploring imagery imprinted through marketing, pop culture, and collective consciousness, this work examined how ubiquitous visual symbols persist in memory. These drawings challenged the reliance on direct observation, shifting the focus to the internalized visual archive and its reproduction. The process highlighted the tension between memory, cultural conditioning, and the act of drawing as a means of recalling embedded imagery.